![]() ![]() Certainly the person doing the video recommended that you don’t try to move more than one fader at a time an he pointed out thinks go quite crazy when doing that. This can be done with Bome MIDI Translator Pro.Īs far as the “AudioFollowsVideo” feature, I’m not sure if we can do anything about that depending on how ATEM implements Mackie MCU. I thought I would like to switch the NanoKontrol2 into MidiCC Mode and translate these messages inte Mackie Control -> but I can’t find out how?Īs you know, the NanoKontrol2 only has 8 faders so if you want a master fader, you might need to do something with one of the buttons to switch one of the faders to a master fader. The Faders 1-4 are controlling the Camera Inputs 1-4, but when I touch the Fader for the first time they also seem to trigger the “AudioFollowsVideo” Function wich makes it useless.Īlso if I use more than one of these first faders they are doing wierd stuff with the AFV FunctionĬan Bome help me to get rid of these Problems? I have 8 Faders on the NanoKontrol - none of them wants to control my Main Fader - I would like to redefine them, but I can’t find out how. The ATEM just takes any Mackie Inputs - I have no possibility to Choose an input interface or something like that.Īfter that I bought an NanoKontrol2 to use that one in Mackie Mode to control my Audio Section in the ATEM Software. One thing ATEM OSC does not support is the Fairlight audio section, I found out, that ATEM supports the Mackie Controls form my XTouchmini to control the Main Fader and the pan. I’m using an Behringer Xtouch mini with ATEMOSC and Osculator to control preview, Cuts and so on. If the ATEM audio works for you then fine, but I guess I feel it has a LOOONG way to go before I'd be happy with it.In this pandemic I came into Videostreaming and I’m doing this with an ATEM Mini Pro. Options for audio delay (because delay on an input channel usually isn't where you need it) and more inputs/mic preamps are all easy situations for an external mixer. I also frequently need unique mixes for ISO recorders. The main mix for PGM, maybe a secondary mix for recording/archive, and another mix to satisfy commentators. I almost always am in need of several mixes for a show. There is still only one mixing bus and that I find very limiting. ![]() I see that the TVS pro 4k has the upgraded fairlight audio, which adds sorely needed dynamics and EQ. I only have the 2M/E, 1M/E4k, and 4M/E 4k models to test with, all 3 of these models work. Since this control passes through the ATEM software, I would expect this functionality exists for all ATEM models. You can control the ATEM faders as long as the ATEM software is running and connected to the ATEM, but you do not have to have the audio page displayed. It supports many other configs (midi, network) but this was the only one that seemed to work. You also have to configure the x-touch to use Mackie control mode (MC) over USB. As I suspected, the x-touch has to be connected to the computer running the ATEM software via USB. So I have the X-Touch (not mini, not compact, not ONE, it's the biggest model with scribble strips and jog wheel) controlling the ATEM audio faders this morning. At $1800, I will probably end up bringing two separate audio consoles. I am hoping to find something that will do it for no more than around $700. There is a behringer unit I found that will, but it is $1800, and I am hesitant to spend that much on this. It would be convenient to have a console that could control both discrete audio feeds and the software at the same time. In the field, you rarely have a setup that works for every scenario. If it's a single guy at a nearby podium or interview type stuff, I'll use discrete audio, but might still want NAT sound from a camera. If I am 400 yards away from the cameras, I'm running fiber, and will probably go embedded. It all depends on the layout of the shoot and the audio needs. Sometimes I have videos I play from Hyperdeck shuttles that don't have a discrete audio output. Sometimes I use discrete audio for my main audio, but use nat sound embedded from cameras. ![]()
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